ᴊᴜɴᴋᴏ ᴇɴᴏsʜɪᴍᴀ (
dispairages) wrote in
bakerstreet2014-08-19 07:50 am
[florence nightingale effect meme]

1. Previously aloof tough character gets injured, lets the love interest treat their injuries, and reveals a newfound trust and intimacy. This might or might not involve the tough person making that hissing sound when the love interest touches their injured face, but not quite pulling away...
2. The love interest gets injured, and the tough character treats them and suddenly reveals a tender side.
It's an old trope, admittedly, but an understandable one. You're hurt - physically or emotionally - and perhaps even on the brink of death. And then, out of the blue, someone saves you and brings you back. They heal you, they feed you, cloth you, wash you. In the human mind, the intimacies can bring up warm feelings, even in the hardest of hearts. Will you fight them or let them grow? And what about when it's time to leave? You may not feel like leaving your angel...
HOW TO PLAY
1. Comment with your character and preferences. Mention if you'd prefer to play the healer or the healed - or both, for greatest versatility!
2. Reply to others.
NOT EXACTLY PROMPTS, BUT IDEAS
- The finding and saving
- The hurt/comfort care process, I.E. cleaning wounds, bathing, wrapping bandages, etc.
- Feeding, finding clothes, etc.
- Mother hen behavior ("you're still hurt, don't do that!")
- Comforting from trauma
- Unwilling patient
- Pulling away, trying to be all aloof
- Realization of growing emotions
- Denial
- Attempts to instigate something more
- Jealousy at seeing your savior with someone else
- Confessions
- Mutual attraction
- First (accidental or no) kiss
- Obligatory sex scene option
- Make your own scene

no subject
Hey, my name is Joan. Will you let me take a look at you and make sure there's no glass in there?
no subject
It's... nothing. I'm used to getting hit.
[But he isn't pushing her away at least]
no subject
[She noticed that he was trying to get out of the bar and away from everybody. She wondered why, but at the moment was focused on getting hi taken care of.]
Would you like to go outside?
no subject
[That worked better than the truth. He headed for the door, wiping a droplet of blood off his brow]
no subject
What's your name?
no subject
[He sits down at the bus stop, feeling his head himself for any pieces of glass. Of course, he has no idea what he's doing]
What's yours?
no subject
[She takes his wrists gently and guides his hands away from his head. Then she starts to examine the wound.]
Not the best introduction to New York.
no subject
no subject
Were you trying to get him to brain you with a whiskey bottle?
no subject
Not really, but he was... just pissing me off, so I told him.
no subject
You have glass in the wound. You need to have that removed.
no subject
... I don't have to cut my hair do I?
no subject
no subject
[This sounds like this is going to be very uncomfortable]
Do you have tweezers or does this mean I have to take a ride in the ambulance now?
no subject
[She considers him for a moment. She doesn't know him, clearly, but she feels good enough about him to bring him to the Brownstone.]
If you'd like, though, I don't live far from here.
no subject
My bike is here, I'll go get it.
no subject
no subject
...
[But the bike can find him if things get difficult]
Right. Come back for it. You're the boss.
no subject
[She steps to the street and raises her hand. A cab pulls up, and she waves Johnny over.]
no subject
How far away do you live?
no subject
[She gives the address to the driver. He pulls into the street, and Joan turns to look more closely at Johnny.]
You're probably going to want a couple stitches, too. I can do that.
no subject
no subject
no subject
no subject
[She says it matter-of-factly, hoping he won't push. She'd rather not have to explicitly label Sherlock an addict if she doesn't have to.]
(no subject)
(no subject)