sockerball (
sockerball) wrote in
bakerstreet2012-08-03 08:31 pm
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So you wake up in the morning - or maybe you're about to go to bed - and to your utter surprise...
There is someone in your bed. What do you do now?
There is someone in your bed. What do you do now?
RULES:
1. Post with your character, with the name and series in the subject line
2. Reply to others. Are you in their bed? Are they in yours?
3. ???
4. PROFIT
reposted from here
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Oh, right, of course. It's you.]
You, obviously.
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(Obviously.)
Okay, but to say what to me? Besides that I need to call ADT or whatever.
ADT... Australian Dance Theatre?
Not to say something, to give you something. Something that is rightfully yours.
http://www.adt.com/ gosh
A whipping?
(Wait, why did I say a whipping!?)
...Because that wouldn't be true, okay?
looks like it could be a porn link /squints
If that's what you want, I can provide... although I don't have my whip with me tonight I am more than capable of improvising.
No... I came to give you this.
[She holds the card out to him so that he can take it from her.]
wow that "this" looks like a porn link
(That's right... the fourth piece of evidence... But this has Maya's handwriting on it. She wrote my name at a time like that... I can't believe Franziska remembered this...
Also, my hair isn't that spiky, Maya!
...Is it?)
Oh.
T-Thanks, Franziska... It's a little late for the case, but... that's a good memory, in the end.
what
I obviously didn't bring it here for the sake of the case...I think I did more than my part for that already.
[She shakes the card a bit, as though saying 'take it'!]
Aren't you wondering why I've been holding onto it all this time?
YOU'RE A PORN ADDICT TOO
[Okay, gingerly, he reaches out and takes it.]
... It seems like something you'd be persistent enough to do. But is there some other reason?
BUT WHERE IS YOUR *EVIDENCE*
I won't be coming back to this country for a while, I can promise you that.
up your butt
And where are you going, anyway?
... get it out of there, Simme :|
I've been making my farewells, you know, and you were the very last person on that list.
[Whether this is a good or bad thing remains to be seen.]
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... Is that a good or bad thing?
So you're not going to be a prosecutor anymore?
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[But why is she explaining all this to him, anyway? She'd done what she'd come here to do, even if this, in honesty, hadn't been as planned out as she'd like him to believe. Earlier this evening, she'd been having dinner with Miles Edgeworth and they had exchanged more than a few drinks - well, Franziska had consumed such drinks - and Phoenix Wright had come up in conversation and as such with most decisions made under the influence, it had seemed like a good idea at the time.
She scowls slightly, directing the look at Phoenix because he's the closest person at hand. But really, this is all Miles Edgeworth's fault. If only he'd drunk his own fair share...
And as for whether it's a good thing or a bad thing:]
What do you think, Phoenix Wright? [There had been another reason she'd decided to come here tonight, but now that she's more clear-headed, she's doing her best to suppress that foolish thought.
She takes a step closer to him, nonetheless, leaning in.]
Is it a good thing or a bad thing?
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no surprise that a Tash character gets drunk](Well, when it comes to her opinion of me, it's usually...)
...A bad thing, I'd assume. Or at least with bad results for me.
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hey what other reason would she have for falling asleep in his bed][ In any case, she leans in even further, raising a hand to cup his chin, fingers squeezing his cheeks as if he's a young child or cute puppy. ]
Has anyone ever told you that you need to do something about your debilitating sense of self-esteem?
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(Ezbecially you! I mean, especially you!)
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Franziska von Karma is not a quitter, so it's with that in mind that she does what happens next. ]
Close your eyes.
[ And even though she's given him that direction she moves her hands upwards and obscures his vision.
He won't see this coming.
Literally. ]
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But of course any idea she had must be perfect. He does not, in fact, close his eyes, but instead just sees the palms of her hands the whole time, and then takes a step back. Then possibly another one. It may or may not help at all, though, except in achieving his back being against the wall. Literally.]
so basically in conclusion franziska gets off on phoenix's suffering?
Anyway, now that he's backed up against the wall, there's nowhere else to go, nothing else to do, then what she had always intended.
And that's kiss him, of course. It's only when she's leaned in to press her lips against his that she pulls her hand away from his eyes; it trails over his shoulder, down his side, tugs his body against hers.
It's no chaste kiss, to be certain; Franziska's actions are commandeering, full of a pent up sort of energy saved for such an occasion as this. Perhaps she would never see him in a courtroom again, but at least she'd have something to remember him by. ]
um no surprise
Also, his mind and h)is thought process just exploded into tiny little bits. As illustrated.]
... yeah it really isn't
Like always, she had him right where she wanted; in this case, against the wall, her lips against his, hips pulled flush together. Almost immediately, she deepens the kiss, tongue prising his lips apart. ]
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This case may be a bit different, though. One can't very well shout Objection! while one's lips are otherwise occupied. Especially when Franziska is being so (well, normally) aggressive.
He squirms against the wall, but he finds himself responding automatically nevertheless. Especially with the "hips flush" part. That's difficult to ignore.]
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Coming up for air? A von Karma is a superior type of human being that does not need to indulge in such nonsense! ]
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--V-Von Karma, is everything all right!?
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I don't remember asking you to speak.
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she's wearing a dress gosh
whatever whatever WHATEVER
you should fix that, phoenix wright >(
/TEARS AND RENDS HER DRESS FROM HER BODY
THAT'S RIGHT, ASSERT YOUR DOMINANCE
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