Daemon AU

[luckysock]

DAEMONS
A dæmon is the animal embodiment of a person's inner self - their soul made corporeal. In childhood, daemons can shapeshift; around puberty, they settle into one form which represents a person's personality.

Daemons can talk, are typically of the gender opposite their human, and can't go more than a few yards from their human half. Any pain felt by a person is felt by their daemon, or vice versa, and to touch someone else's daemon is painfully intimate and the greatest taboo.

RNG:
1. meetings (mean snap judgments; what do you think of someone with a snake soul?)
2. fight scenes (are a lot more badass with a lion at your side, or tricky when your weak spot is a poodle)
3. rescues (are difficult if your daemon can't drag theirs to safety. you won't break the taboo, will you?)
4. cuddling (gets weird when your alligator snuggles up to their rabbit)
5. confined spaces (are more claustrophobic with the risk of touching someone's soul)
6. poor conditions (when your cat can't swim or your dragonfly might freeze)
7. lies (are harder to tell with daemons telegraphing body language)
8. touching (from a torturer is horrifying; from someone intimate, it's powerful)
9. abnormalities (include same-gender daemons, limitless separation ranges, or inhuman lack of a daemon)
10. suddenly (everyone has daemons. they didn't before. what the hell.)

Want to rehash a canon scene, now with daemons? Make up your own prompt? Just here to dump your "why X has Y animal" in a toplevel? Go nuts.

Comments

[digrazia]

I am sure you will do just fine, [The maestro chuckles as he halts getting a quill, returning to the table to watch Ratonhnhaké:ton sketch. He doesn't hover, for knowing what being hovered feels like, and eventually sits adjacent from the other, waiting. Cesare takes the opportunity to climb the artist's boot and into his lap, where he happily receives pets until the drawing is done.]

Ah— [Leonardo freezes as he takes the sheet in hand, knitting his brows at the design. Ezio had always placed his confidence in the artist, who had always kept his friends secrets... well, secret. But was there any harm in sharing common knowledge?] It appears to be similar to The Apple, sì, but, [His head shakes gently.] These lines you've drawn are different. Though only slightly.

[He regards the sketch for a few moments longer, tilting it as well as his head, feathering over alternate lines with his fingertips while he mutters more and more gaily.] È possibile? Che vi sia più di uno? Sarebbe ... scandaloso. Eppure ... incredibile!

Ratonhnhaké:ton, [Leonardo turns back to him, pointing to the sketch.] This Piece of Eden—does it have another name? What is it made of? Is it— [His tone hitches, changes from energetic to solemn.] You don't have it with you, do you?

[not_kenway]

[He stands and drinks and listens, not really following the litany of Italian but gathering that there's some shock and surprise going on.]

I have seen two. One is held by my people, it has been since the Mother Spirit made our tribe. The Clan Mother uses it to communicate with the spirits. The spirit showed me visions, told me to go and become an Assassin.

The other one was held by a man who began to have nightmarish visions, where the sphere, what you call an Apple, beguiled him into becoming a dictator. He feared what he may do if he kept it, so he gave it to me. I hurled it into the ocean from my ship, so it could not fall into Templar hands.

The one I have drawn is the one of my people. I picked it up and there was a flash of light and I was in this city, this time. I do not have it with me, however. When I opened my eyes, it was gone.

[Stranding them here, hundreds of years in the past.]

[digrazia]

[Leonardo listens, all but sitting on the edge of his seat; hooked on every word the man speaks. To learn of a new people—no matter how segmented for the situation at hand—is endlessly fascinating to him, and has the blond's mind racing.

It's all enough, for possibly the first time in Leonardo's life, to silence him. If only for a few moments anyway. Torn between wanting to write all this down and ask about the Mother Spirit and how the clan mother speaks with spirits, other thoughts push past them when he starts making connections. The drawing falls to the table, hands busying with petting Cesare again.

Ratonhnhaké:ton was no longer in possession of his people's relic, both thankfully and not, and...] Wait, wait, wait— [Shaking his head, Leonardo takes a quick breath.] You were in America, with your Piece of Eden, and suddenly you were in Venezia, in.... "this time"? [The gears were turning in his head, spinning up from the previous deluge. The process is clear on his face, but it really only leaves him with more questions than solid answers.

Which is why he sounds skeptically perplexed when he asks:] What did you mean earlier, when you said 300 years?

[not_kenway]

[Ratonhnhaké:ton lets Leonardo mull over the information he has given him. Sixsipita hops down into his lap, standing and watching him, little paws grasping onto his fingers to help stay upright. Intent eyes watch his face, but he offers nothing more to the racooon.]

Some items of Edem can... change things. Move people. Through time. To me, this is three hundred years in the past. Europe will learn of America's existence in a couple of years, when some explorer returns. Columbus? He is trying to find a way to the far East. Instead, he will find my lands and people.

[He doesn't try and convince Leonardo. It is the truth, however implausible it sounds. He will believe, or he will not.]

[digrazia]

Columbus, il pazzo. [He mutters out in a sigh.] Sí, he is sailing for a Western trading route to India, but there is nothi— [The pause steals the rest of his words and he ends up staring distantly while thoughts rush back to him, of Ezio teasing how he possibly knew more of the world now than him, of undiscovered things.]

Non posso crederci! [Leonardo is beaming suddenly, nearly aglow with the realization.] Ratonhnhaké:ton, do you know what this means? [He asks as he stands and sets an energetic Cesare down, who hops quickly over and climbs onto the artist's desk to grab a hand bound notebook.]

You are the first American to ever step foot in Europa! Ah, how exciting; I must write this down. [In fear he might just forget amidst all his enthusiasm.] Here, Cesare. [Leonardo kneels down to take the book and fluff the rabbit's fur before going back to the table and flipping through the pages, muttering to himself where to start all this.]

[not_kenway]

[ He considers these words. Sixsipita buts under his hand and he absently starts rubbing behind one soft ear, watching his dæmon's eyes. ]

Yes, I suppose I am.

[ It has brought home just how far away he is from, well, home. Both in space and time. He gathers Sixsipita in his arms so they rest against one another, the raccoon's brow pressing into his cheek and his other hand pressing to the still healing wound in his gut. ]

My mother's mother has not yet been born.

[digrazia]

[A relatively contented hum of agreement sounds from him, largely missing the tone from Ratonhnhaké:ton's realization. He finds this all endlessly interesting, evident by his enthused scrawling. Cesare, again, catches on more quickly than his human and is keen to clue him in, digging at the blond's boot and looking to their guest once he has attention.

Leonardo's heart drops to his stomach at the display.] Ah—most likely... [The quiet agreement trails with a soft clearing of his throat. He's gone and done it again: gotten too enthralled in a subject and entirely missed the perspective for someone else. Closing his notes and pushing them away, he picks Cesare up and holds him securely as he burrows, focusing attention back on the assassin.

Perhaps he can help ease him into all this. Or at least provide some distraction.] I do not mean to pry terribly, but your bruises, [A hand moves while he speaks, motioning towards the other's face.] They are fresh, sí? If you are not opposed, I have an ointment that will help the ache and healing.

[not_kenway]

[Stroking the thick tail of his dæmon, Ratonhnhaké:ton looks up through his lashes at Leonardo, then nodding slowly and letting his gaze fall once more.]

Relatively. Some are very fresh, others are simply injuries on injuries. The... I am not sure what word I want. I was injured, by a beam of wood, through here.

[He touches his stomach and then gestures to his back.]

I fell, onto my back. Most of these are just, fists.

[He was used to being hit. People had been hitting him since he was five years old, he's much less concerned about the bruises.]