lead fish (
ldfsh) wrote in
bakerstreet2014-07-01 05:24 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Hogwarts AU meme
Hogwarts AU meme

Specify:
- student/professor/castle ghost, etc.
- what house
- what year
- pure blood/muggle born/etc.
- any other preferences
Pick a prompt below or RNG
Prompts:
- Quidditch Match: are you a player? a fan? someone who doesn't care for the sport but got dragged along anyway?
- Welcome Feast: first years getting sorted, old friends seeing each other again, and all that food!
- NSFW (Not Safe For Wizards): grabbing a quickie in the prefect's bathroom, seven minutes in heaven in the Room of Requirement, or what little witches get up to in the girls' dormitories.
- Detention: are you cleaning cauldrons or sent off into the Forbidden Forest? either way, you're in trouble!
- Class: passing notes in Potions, running late for Care of Magical Creatures, discussing selfies in Muggle Studies... whatever you're doing, remember, you're here to learn!
- Holidays: do you go home for Christmas, or are you still at school? and what ugly sweater is Mum going to send this year?
- Hogsmeade: congratulations, your parents signed the permission form (or maybe you forged the signature). time for some time outside of school.
- Diagon Alley: back to school shopping! don't forget to stop by Weasley's Wizarding Wheezes!
- Choose Your Own Adventure: but remember, the wand chooses the wizard.
no subject
For example: those there are prominent usually in people who use the Disarming and Shield charms frequently. Obviously they could be caused by other things, but looking at the whole picture, it's quite clear.
[ he says it a bit defensively, too used to being called a liar, a cheat, a sneak or a stalker, even when he lays out the obvious signs in the first place. it doesn't really matter, of course -- he can't read John's laughter, but if he gets angry and refuses to treat him, it won't matter. he hadn't wanted to be treated anyway. Sherlock's only concern in that case would be getting the gauze so he can wrap his arm up himself. ]
no subject
John shakes his head, snaps himself out of it, twists his fingers out of the way with vague reluctance and settles them back to the task at hand, pressing with firm care around the edges of the worst of the wound. as much as he'd love to learn a little more about the incredible fact that his callouses show off his capabilities, this really is quite nasty and it really does need seeing to. ]
... Sorry. Right. Experiment, yeah? Brilliant. [ not, actually. and really, really he should send for Madame Pomfrey. this is outside of his experience and he should send for her, he should. but... ] Gauze isn't really much of an option.
[ but... ] ... Since it's an experiment, though - how'd you feel about a bit of experimental medicine?
no subject
he pulls his hand away as John does the same, curling it into a fist and resting it on the hospital cot. the sparks coming off of his potion-splashed arm aren't abating, and as much as he'd like to pretend otherwise, the potion splash does hurt, a very uncomfortable freezing-burning sensation that sends tingles of pain radiating through the whole limb. even so, he's still grinning with enthusiasm when he says: ]
Go on, then. What have you got?
no subject
oh. the smile he's wearing fades somewhat, unbidden, as he takes in the startling difference made by a grin. it doesn't take him long to catch himself, but it's long enough that his lips tug back up aided in no small part by some little strange tug elsewhere, chestway, some brief swirl of self-consciousness and excitement.
John reaches behind him to fish out his wand from where he'd stuffed it into the belt of his trousers, turns to pick up a couple of the vials waiting on the other bed, talking as he goes. ]
Okay. I'm going to do my best to neutralise it. What were you trying to make, by the way? I'd say I'm not worried about the magic reacting with the chemicals, but - you know. [ a gesture to his arm. that's sort of exactly how this mess happened in the first place, so. ]
no subject
[ he sounds so matter-of-fact about it, too. and why shouldn't he? the magically relevant component of wormwood is the quinine, so why on earth wouldn't using a chemically purer ingredient work? surely there must be some way of stabilizing the mixture -- too bad it exploded in his face instead. but he'll get it eventually.
in a way that he intends to be helpful: ] It's an alkaloid.
[ he looks curiously at the vials, more interested than he had expected to be to see what it is John's going to try. no one else would make the suggestion, of that he's positive. it's... unusual, that this student has managed to surprise Sherlock, and more than once. ]
no subject
he turns, discarding one of the vials in favour of another, and when he turns back he takes another look at the fizzling sparking wound before frowning and stalking off over to some supply draws, rooting around and then drawing a mortar and pestle out from under the desk. it's frustrating, because all that's coming to mind are the million and one easy ways to heal to wound - but that isn't the problem. the problem's in neutralising the magic since he's every reason to suspect it would just keep burning beneath the flesh if he had the skin heal over. there's no point unless he stops that reaction.
quinine salts... it's plant. it's plant matter, so it shouldn't react too badly with—
John's back in a flash, the final selection seeming to be Murtlap essence, Salamander blood and a small, ground up Asphodel bud. that's the important bit, that's what he's chosen as his key, and John's wand waits prone in his hand as he stands there, balanced perfectly on the fence, eyes locked onto Sherlock's face as he searches himself for is this really a good idea or am I just being a prat— and then he tumbles quite firmly over into next door's garden, determination firming his grip and steeling his gaze as he raises his wand to point up to the ceiling, waves, and utters— ] Aguamenti.
[ the water spurts out of the wand tip immediately, leaving John with a margin of a second to flourish his wrist again, ] Levioso. [ - and have it pause in its descent, suspended, floating. John draws his wand down and the water follows, pooling in the air between them where he sculpts it with a guiding circle of his wand into a globular sphere. with a precise tilt of his awkwardly full hand, John tips the Asphodel into the waiting water.
his eyes flick up then, entirely focused, and he holds out the vials for Sherlock to take in his well hand (there's no hint of if he can manage - he can manage just fine, John's decided, if he was going to accept some gauze and go on his way), to give John a hand to work with. ]
I need the Murtlap first.
[ he trusts Sherlock to know which vial to hold out. if he can experiment with muggle ingredients in magical potions, he can tell the difference between blood and murtlap essence. ]
no subject
he accepts the vials when they're handed to him, the faintest smile tipping up the corners of his mouth. when called upon, he juggles them deftly in his hand in order to bring up the requested bottle, offered between his first two fingers, his eyes never leaving John's as he does it. he can't quite help a bit of cheek: ] Essence of murtlap, Doctor.
no subject
one drop. two. John squints, watches the purple swirl and dilute, looks to the shred of the bud floating about in the water... a third drop and he's setting the dropper back down into its bottle, reaching over that vial for the salamander blood, plucking it up and unscrewing it deftly with one hand. a thin stream falls in to join the mix, let to flow for long enough that the thicker liquid pools heavily down to the bottom of the sphere before bleeding out into the solution. that vial's handed back to Sherlock, too, just held out for him to take, and John's attention's all on twisting his wand to have the water surge and spin in and around itself, mixing everything together.
while they're waiting: ] Murtlap, salamander blood, asphodel. The blood's the base, it's a good strong rejuvenator but in this case I'm more interested in its strengthening properties. The purpose of it is magic, more than anything. The solution needs a good magical foundation, and salamander blood won't get in the way of the other ingredients doing their job.
[ he speaks because he thinks Sherlock might appreciate it. also because he expects he'll understand which is good, which is really good, which means giving him the option of final say won't be like asking a child for its opinions on the topic of Animagi. it's also vaguely nerve wracking, but nerves go discarded in favour of keeping an eye on the colour of his makeshift solution, talk as he goes. ] Usually you wouldn't need the murtlap if you've got the blood - but like I said, the blood's got a different job here, and it's not the murtlap's healing qualities we're after either, I'll deal with the wound afterwards. It's the magic, the reaction that's the problem - so the murtlap's not there for healing, it's the soothing property. Use that to draw out and support the asphodel, give it all a kick with the salamander blood and what I'm going for -
[ finally, with one last spin, the solution has taken on a consistent dusky pink and John nods, shifts his eyes back to focus in on Sherlock's again. ] Is putting your screw up to sleep.
[ literally. it's maybe a far fetched idea, maybe something entirely conceptual, almost metaphorical rather than built on any definite proof... but if there's one thing John learned in growing up with magic in a muggle world for the first eleven years of his life, it's that for a lot of people, magic itself is one big metaphor. is everything except real. he's learned not to respond to it in exactitudes. to treat it with a little of the whimsy Muggles link up with the term. to really treat it like magic.
John's look is imploring. it's a question he doesn't actually ask. so? shall I, or shan't I? ]
no subject
Sherlock's magic comes precisely, even when he works in theories; when he learned that magic was real and he had it, he treated it as an extension of science and continues to do so, but John's approach is obviously more abstract and figurative. if Sherlock were to have tried the same solution, he's sure it simply could not have functioned. any time he opens his mouth to raise an objection, to imperiously point out an obvious flaw, John outlines his idea well enough that Sherlock understands exactly what he's trying to do before he says it out loud. fantastic.
(god, someone with a functional brain. someone with imagination. someone with a sliver of originality. he's almost inclined to be offended that Hufflepuff had tried to keep John to itself.)
in response to John's silent query, Sherlock shifts and stretches out his wounded arm delicately, unbending it at the elbow to hold his sparking upturned wrist below the floating potion, one brow flicking up with interest and no small challenge. ] Let's see it.
no subject
it's jointly terrifying and invigorating, this moment, and that combination buries John in an untempered focus he rarely achieves under any other circumstances. like his body chemistry's the potion and this exact amount of this could go so badly wrong in addition to the right dosage of but I really don't think it's going to is what it takes to get the perfect grade.
the liquid meets its first spark and John leads it steadily the rest of the way, pausing only once it's covering the wrist entirely. the reaction is immediate. the sparks continue within the potion, unperturbed by the boundaries of science, and each one brings with it heat enough to bind and release what's needed from the asphodel. before ten seconds is up the whole thing goes from dusky pink to bright, solid red, consistency thicker and— John winces, only slightly, recognising what he hadn't taken into account a moment too late —hotter than it had been (should've added wartcap, just a bit... but then the crust might have got in the way and there's really no space for should haves now anyway, is there?). he keeps it suspended, grips a little more tightly around the back of Sherlock's hand both as support and a bid to ensure his stillness while he keeps the wrist submerged (one, two, three, four, f i v e...)
and lifts away, removing the now-steaming mixture off of Sherlock's skin to check on the results, work out what if any damage is done and what problems are fixed, primed to spin back into action if he's done more harm than good. ]
Alright? [ apologies come later, right now he's looking for insight. how does it feel. how much does it hurt. how is it? assessment, diagnosis, mind half on what's in front of him and half on what he's doing next. ]
no subject
then the worst of it is gone. Sherlock gasps a little when the potion leaves his skin, his arm trembling involuntarily, gone watery after the strain, and his forearm is still an open wound and his nerves have awoken from artificially-induced numbness and are complaining about the whole business, but the sparks have disappeared after fueling the heat-release, and other than being faintly iridescent now, like an oil spill, the splash looks more like an average chemical burn. he examines it with as much detachment as he can muster, leaving his hand tucked in John's. it's simply easier to let John support it, after all. ]
Hm. Well, sensation has returned, though I'm not sure how much I like having it back. It feels much more like a burn now -- perhaps silverweed, or motherwort?
[ he wiggles his fingers curiously, and is gratified to see them move almost exactly as directed. ]