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THE RANDOM SCENARIO MEME 3.0

- Post your character, name, and series in the subject. Include any preferences as well.
- Go to RNG and enter 1-7 for a scene type, and 1-20 for a scene to play out.
- Have fun!

TYPE OF SCENE.
① Action → Gun fights, bar brawls, fights to the death are all possible scenarios.
② Angst → Characters suffer emotionally or physically from relationships breaking up, death, injury, etc. Hurt and comfort themes are included.
③ Crack → Genderswaps, super powers, sudden compulsions are all possible outcomes.
④ Fluff → Something that is devoid of angst. It's light-hearted and might have the overtone of romance.
⑤ Gen → General fun, things that didn't fit in the other categories.
⑥ Sex → First times, kinks, even dubcon are all possible themes of sex related scenarios.
⑦ Your choice → Think of your own scenario, choose one of the above or make a combo even!

ACTION.
① Zombies → It's the zombie apocalypse, lock and load!
② Bar brawl → You had one too many drinks, said something wrong, and now you're being asked to take it outside.
③ Chase → You're caught in a high speed chase.
④ Gun fight → You're caught in a big shoot-out.
⑤ Fight with a friend → You're fighting with a friend, all out.
⑥ Interrogation → You're being interrogated for some offense you've done.
⑦ Aliens → Aliens are attacking and you're not going to take your probe laying down!
⑧ Final battle → This is it. The battle that will end all the fighting for you. Will you win? Will you get that peace you want?
⑨ Training → You're not actually fighting, just training for the inevitable.
⑩ No hope → You know this fight has no hope. It's not going to end well for anyone involved, but you can't turn away.
⑪ Sneaking in → You're stealing a diamond or sneaking in to kick some bad guy butt, but whatever it is, you have to practice stealth.
⑫ Blue wire → You're faced with a bomb that needs to be disarmed.
⑬ Fight for honor → You've been disgraced or someone you care about has, so it's time to fight for honour.
⑭ Showdown → Time for a cowboy-style showdown. Whoever draws the fastest wins.
⑮ War → You're caught in the middle of a war here. Remember to keep your chin up and keeping fighting.
⑯ Apocalypse → The apocalypse finally happened and now you're left to scavenge and fight for whatever is left.
⑰ Sabotage → It's time to sabotage someone's plan! How is entirely up to you. Do you set up a bomb in their toilet? Do you double cross them at the last minute?
⑱ Big damn hero → You know you have to handle this one alone, so that means disarming or knocking unconscious the person who wants to join you.
⑲ Fight club → You know the rules... you're in an underground fighting ring and you're fighting with all you've got.
⑳ Threaten → You've just been sent here to rough them up a little, threaten them into behaving.

ANGST.
① Injury / illness → Your character has become injured or ill! To what extent is the mun's choice.
② Last moments → You character has been gravely injured and this is their last chance to say their last words.
③ Depression → Your character is depressed, what actions they take is up to the mun.
④ Betrayed → You character has been betrayed by the other. How do they react?
⑤ Tortured → Your character is being tortured and needs rescuing or at least a sympathetic ear to help him through it.
⑥ Jealousy → Your character is feeling jealous and must deal with it, how will they do it?
⑦ Breakup! → This relationship has gone as far as it can, it's time to breakup.
⑧ Broken → For whatever reason, the character is broken, mentally or or physically.
⑨ Fight → You can't even be in the same room as your friend or lover without arguing anymore.
⑩ Lost → You lost the biggest fight of your life and now all you can do is try to pick up the pieces.
⑪ Worst nightmare → Whatever you fear the most is now real or maybe you're just trapped in a dream together, but whatever it is, it feels too real.
⑫ Addicted → You're addicted to something, alcohol, drugs, sex, whatever. It's destroying your life and you can't do anything to stop it.
⑬ Hurt you → You're being forced to hurt someone you love either by betraying them or even being forced to shout things you don't mean. It's for their own good in the end though.
⑭ Separation → You were forced to leave this person for their own safety and while you've been miserable without them, you really didn't mean to run into them again... maybe it was by accident or you were watching them from afar this whole time.
⑮ Becoming a monster → You are slowly changing, becoming a monster: vampire, zombie, demon, something you can't recover from and no-one can help you.
⑯ Frozen → You are entirely helpless, frozen, to stop some kind of disaster.
⑰ Prison → You were very bad and now it's time to pay the price by turning yourself in or maybe the law just finally caught up to you.
⑱ Fear → You're not sure why, but you are suddenly terrified and you can't deal with it. You need help.
⑲ Hated → You are now hated by the person you loved the most.
⑳ Down and out → You're living on the streets, you've hit rock bottom, and you don't know what to do.

CRACK.
① Sexswap → Uh-oh, you're suddenly the opposite sex!
② Forced confessions → No matter what it is and no matter how hard you resist, you're going to be compelled to spill some deep dark secret!
③ Mind-reading → You've suddenly got the ability to read minds!
④ Animal → You're suddenly part animal or transformed into an animal!
⑤ Awkward pick-up lines → You're compelled to use bad pickup lines on whoever is closest!
⑥ Back in School / Graduated → You're suddenly back in school! Or if you were already in it, you've aged and long since graduated!
⑦ Vampires, werewolves, and zombies, oh my! → You're suddenly a vampire, werewolf, or zombie! Maybe even a demon or a devil, whatever creepy crawly you can think of. What do you do now?
⑧ Ghost → You're suddenly a ghost or at least invisible. What are you going to do with this new ability?
⑨ Awkward conversations → So did you just fart or what? Any conversation goes, as long as it's embarrassing and awkward.
⑩ Crossdressing → For whatever reason, you're suddenly dressed in clothes of the opposite sex.
⑪ Suddenly naked → Oops! Your clothes are suddenly gone.
⑫ Suddenly a kid → You're a kid again! Have fun with that second childhood.
⑬ Fortune cookie → You've suddenly received a note with something that will happen in the future, either precise or vague.
⑭ Super power → And suddenly you're like Superman! Any power goes.
⑮ Bodyswap → Somehow you've changed bodies with the other person.
⑯ Back in time → Somehow, you wound up in the past again. Do you try to correct something or just sit and wait for time to jump? Maybe it jumps to various points in your life or maybe you actually think you're back in the day. Have fun, run wild with the idea!
⑰ To the future → Is it everything you've dreamed? Is it horrible? Whatever happens, you're here to witness what happens to you in the future. Either you take the place of your future self or you're just there to watch. Might cause some confusion if people start seeing double though...
⑱ Angels, mermaids, and fairies! → You're not necessary something dark or evil. You're just something different. How do you deal?
⑲ Locked in a closet → For some reason, you're locked up in a closet with someone else. Do you make nice and try to figure your way out or what?
⑳ Finger trap → You're caught in a Chinese finger trap... with somebody else! You can't figure out how to get loose either... have fun with that.

FLUFF.
① Cuddling → For whatever reason, characters feel like being close and cuddling.
② Pillow talk → After the main event, characters are up for some pillow talk.
③ Celebration → Anniversary or some other big event is taking place and characters want to celebrate!
④ Love confession → Someone has finally decided to confess their love and today is the day!
⑤ Appreciation → You feel the need to show appreciation for that person closest to you, even if it's just a pat on the back.
⑥ Apologies → You made a mistake and now it's time to make it up in some way you know the other can't refuse!
⑦ Get back together → Why did you break up again exactly? Whatever the reason, it was a huge mistake and you both know you can work through it.
⑧ Date night → You've planned for a wonderful night together and you can't wait to get it started.
⑨ Family → You've either found out you're pregnant or you've already got that addition to your family.
⑩ Marriage → You're just about to get hitched or maybe you're enjoying your honeymoon. Maybe you've been together for years now! Whatever the case, it's time for that next big step.
⑪ Meeting again → It's time for that happy reunion finally!
⑫ Love at first sight → For whatever reason, you are now insanely in love with the first person you set eyes on.
⑬ Flirtation → You can't resist to do a little bit of harmless flirtation all of a sudden.
⑭ In the snow → Look outside! It's a winter wonderland, so why not go out and play in it?
⑮ Engagement → You've planned it all out and now it's time to finally pop the question.
⑯ Friendly games → You've set up the game station or board games for a friendly competition!
⑰ Gift → Time to give that special someone a gift just because.
⑱ Recovery → You're taking care of someone who's just recovered from some illness or injury.
⑲ Healing → Time to help mend that someone who's been through hell and back.
⑳ Better than ever → You've finally got everything you've ever wanted here. What is your ideal life and who does it include?

GEN.
① Nice meeting you → It's your first time meeting this person! You bumped into each other on the street, in a bar, at work... whatever!
② Drinks → You're out for drinks! Or just chilling at home with some beers. Wherever!
③ Lost → You're lost and you kind of need help finding your way to where you're going. A little help with directions?
④ Costume party → You're at a costume party, both of you are wearing masks. Do you keep the anonymity or take it off and see whose company you've been enjoying?
⑤ Wrong number → Oops, actually you didn't mean to call that person...
⑥ Drunk → You're already drunk! Drunk dialing, stumbling into someone, showing up unexpected... what type of drunk are you anyway? Aggressive, loving, happy? How does the other react?
⑦ Old friends → you haven't seen this person in a long time!
⑧ Rivals → you're suddenly rivals! Or maybe you have been all along...
⑨ Problems → you've got a problem with each other, just got in a huge fight, whatever. Try to work it out!
⑩ What are your intentions... → This person? They're dating a close friend, family member, etc. You need to find out if they're going to hurt them! Or you need to discuss your friend/family's dating choice.
⑪ I saw you → you saw the other person doing something bad and you need to confront them about it.
⑫ Sorry but no → the other person has feelings that you just don't share. They don't necessarily have to be romantic... maybe you just don't agree with their sudden desire to quit their job and start a business making tiny, fuzzy teddy bears.
⑬ My hero → you need to tell this person how much they mean to you. They've been your best friend or your role model your whole life and they need to know.
⑭ Enabler → you're enabling the other (or each other) to do something bad, really bad. Addiction, stealing, killing, or just any other self-destructive behavior.
⑮ Cooking → Time for an impromptu cooking lesson!
⑯ Oh, sure, I remember you... → It's that awkward moment when someone comes up and seems to know you, but you have no idea who they even are!
⑰ Rescue! → One of you was in trouble, but you came to the rescue!
⑱ Boss → One of you works under the other. Is your relationship good? Are you scheming things? Or do you hate each other?
⑲ Perfect crime → You and the other person have just pulled off the perfect crime... or you're planning to! What are you doing? The heist of the century, an assassination?
⑳ Movies → movie night! Maybe it's a sleepover. Whichever the case, it's time to eat a lot and have fun.

SEX.
① First time → it's your first time together or your first time ever! Enjoy the awkward times!
② Bondage → You and your partner decide to experiment a little with ropes or handcuffs or whatever you'd like to tie your partner up with.
③ Rough / Aggressive → Your characters want it rough.
④ Romantic → Slow and gentle, meaningful, that's how characters want it.
⑤ Dubcon → Character A wants Character B and it doesn't really matter if Character B wants it as bad or not.
⑥ In public → Characters feel like taking a risk and doing it in a public place.
⑦ Roleplay → Naughty nurse fetish? Pirate kink? You and your partner decide to try it out now!
⑧ Healing → You've both fought hard or gone through a rough time and it's time to get some R&R in.
⑨ Last time → This is the last time you're going to this because you're breaking up or maybe your lover is running off to sacrifice their lives in some heroic way. The possibilities are endless, but you better make this one count.
⑩ No strings attached → You're just friends with benefits. Nothing wrong with that, right?
⑪ Anonymous → You met in a restroom or bar, any location of your choosing, but you don't even know each other's names.
⑫ Toys → You're eager to try something new, so why not toys?
⑬ Aphrodisiacs → You've been slipped a strong aphrodisiac somehow and now you absolutely cannot control yourself.
⑭ Show → You're putting on a show by either doing it right in the club or filming it for a bunch of people.
⑮ Ménage à trois → It's time for that threesome you've always dreamed of.
⑯ Non-penetrative → Frottage, handjobs, whatever you want to try out.
⑰ Controlled → You are under mind control and must do whatever your lover asks of you.
⑱ Hate sex → It's not just rough or aggressive, you absolutely cannot stand each other.
⑲ Extreme → Fisting, knife play, whatever you can think of so long as it tests the boundaries.
⑳ Fantasy → This is just a fantasy, a dream, and you know it, but what is your ideal fantasy and how willing is your partner?

Flat | Top-Level Comments Only | Expand All

What can I say? I'm not a fan of the Italians for obvious reasons.

[It looks as if their friends have taken up the chase. He hears the same car lay down the horn behind them as the unmarked black car speeds around them. He knows this section of town is bound to get dicey when it comes to wide streets to maneuver in and shaking them doesn't seem like an option anymore.

Plan B then.

He spares Adler a sharp look.] Should I be surprised that you know how to handle anything heavier than a riding crop?

[She smirks, giving him a smug look in return.] I misbehave, dear. Do you really think I'm just a pretty face?

[The unmarked black car swerves around a taxi, and Irene points towards a bus making a wide turn ahead of them.] Might be useful to get in front of that.

[He frowns.] I don't much care for the idea of you firing a submachine gun. Check underneath your seat.

[He nudges the wheel to the right and swings around the bus so fast, the back end of the car nearly fishtails. He only grimaces as the bus driver, reacting much quicker than a lot of folks, tries to break, blaring his horn. As the bus slows down, Moran presses down on the gas and sweeps into the bus's broad right side, cutting off their view of the other car for a few seconds.]

And for the love of Christ, remember to aim.

[His maneuver cut off their pursuers' view of them as well and Irene took the seconds to reach for the weapon in question. Another second as she looked over it. The particular make wasn't something she had personally had experience with, but submachine guns were remarkably similiar in some respects.

She doesn't have enough time or hands to brace herself so instead knelt on the passenger seat, buckling the seatbelt around her legs for the minimal amount of security it would offer, and shot Moran a sharp smile, all blood red lips and white teeth.]

So certain you want to irritate the woman with the weapon right now, Sebastian?

Just drive straight.

[The tail can't make the same wide turn Moran did without ending up on the sidewalk and their sharper turn nearly ends up them colliding into the back end of the bus. Moran glances up in the rearview mirror when he hears tires squealing and more horns honking as the other driver tries to get the car back under his control. Fucking Italians.

He looks over at Irene for a brief moment, frowns at the haphazard way she has buckled herself in, and sighs inwardly. Moriarty didn't pay anywhere near well enough for this sort of bullshit.]

I'll risk it. Don't break a fingernail, love.

If I do, I'll take it out on your hide, pet.

[She rolls down the passenger side window but simply waits. Irene will admit the other driver is far less skilled, though perhaps he simply didn't have the same motivation, as their pursuing car skips up on the curb, then back down. There's a motion in the other car as the the passenger rolls down his window, and a hand appears, holding a pistol.

Irene leans out her own window before they can fire off a shot and pulls the trigger twice.

Her shots go wide.]

I'm absolutely terrified.

[Moran estimates that he has less than three or four kilometers of road left before he's going to have to take to the highway, or risk being trapped within the choking, narrow streets as they drew closer to the heart of London. Getting lost in a crowd though... that was always an option.

He too notices that the driver following them isn't quite as adept at making fast and sharp turns, and makes his decision... except with Adler's shooting, there's no way his idea is actually going to work.]

Your aim's hideous. You realize you're actually supposed to hit them, right?

[The shots might have gone wide, but they made the man with the handgun in the other car hesitate, and as far as Irene is concerned, that's successful enough for the moment. She pulls herself back inside the car, blowing a strand of hair that has escaped her updo from her face.]

I expect my actually killing one of theirs would hardly endear me further to the Italians.

I doubt that it can get much worse than wanting to kill you, princess.

[He eyes the passing street signs and grimaces.] We're headed to the Circus and it's going to get messy. Give me the gun.

Edited 2013-05-29 18:15 (UTC)

It can get a lot better. [She unbuckles herself and gives him a look of extreme skepticism at his demand.]

Give me the wheel.

[He clinches his jaw - easier said than done, the way they're rocketing down the street like this. He looks back at the other car - with sparse traffic until they actually hit the circus, they're actually gaining, meter by meter. Wonderful.

Scowling, he keeps one hand on the wheel as he reaches for the gun.] Try not to put us into the side of a building, Miss Adler. Moriarty is very particular about her cars.

You really should learn to come up with better incentives.

[He reaches for the gun and she tosses it into the back seat, putting one hand on the steering wheel.]

Turn on the cruise control, darling. Don't make me do all the thinking.

[He almost rolls his eyes in derision. Clearly Adler has never seen how Moriarty gets when he crashes her cars. Instead, he only restrains himself from flipping her off.] Already done. Believe it or not...

[He moves quickly, all sinuous, catlike grace. Ending up colliding with one of the cars in the street is not his idea of a good ending to the night. In one movement, his hand is already off the steering wheel and on the grip of the gun. It doesn't take long to reorient himself with the familiar weight of the gun, and he presses his back against the passenger seat so that he's facing backwards. The car behind them swerves into sight. Too far over. He grins, taking only a heartbeat to line the two up.]

...this isn't exactly my first car chase, love.

[As soon as he clears the driver's seat, Irene is in it, her hands on the wheel and retaking control from the cruise control.

She is, perhaps not surprisingly, a better driver than a shot. She manages to keep the car steady, even weaving it neatly around an oblivious pedestrian (American tourist, if she had to guess, the way he looked to the left rather than the right)]

Saying you can't end it quickly? And I had such high hopes for you.

What, am I supposed to impress you?

[He still doesn't fire, falling back on the unnerving stillness and patience that had come with being an acclaimed sniper. He keeps his aim on them, even as Irene weaves around the pedestrian. For some reason, he's reminded of Barcelona and Hong Kong and Miami all at once, cities with their neon-colored lights and fast cars and traffic rules that were made to broken even though London is far too straitlaced when compared to them.]

When you can, brake hard and make a sharp left.

[London's staid shell was little more than a facade, in Irene's opinion, and she'd cracked it like an eggshell, finding decadence and debauchery within that rivaled Rio at Carnivale.

Unfortunately some of that debauchery was following them now, and she muttered something uncomplimentary under her breath at his instruction.]

If you were impressive, you might have saved yourself a little trouble in the long run.

[Her eyes are on the road, but she's also keeping track of the cars ahead, the thinning pedestrian traffic, the buildings. She counts to four, passes one of the mostly disused telephone boxes, and slams on the brakes, twisting sharply to the left with a squeal of tires as she does.]

I can still leave you on the sidewalk and be done with this business.

[He braces himself as Adler slams on the breaks, the world spinning in a blur of shadow and light. The driver of the other car doesn't react right away and for the length of a few heartbeats, the entire left side of the car is visible. Despite the speed and the almost dizzying turn, Moran keeps his finger and aim steady... and fires.

The gunshots are loud even over the sound of the engine, the squealing tires, and the horns from surrounding vehicles. He hadn't been aiming at the shooter in the other car - his aim had been a touch lower and most of the shots find their mark.

The tires of the other vehicle explode.]

How well would you employer take to that if you do and I get myself killed?

[There's a distinct note of amusement in her voice as she asks the question, glancing up at the rearview mirror. Upon seeing the state of the other car, Irene's smile grows, and she accelerates, straightening the car and pulling into the Circus and its traffic.]

[Moran straightens up as the other car fishtails into a parked car, coming to a crashing stop much to the confusion and surprise of pedestrians at the scene. He rolls the window back up and glances over his shoulder at Irene.]

Then I suppose she'd find a new project to work on.

[She meets his eye in the rearview mirror.] After someone pays for not following orders. Unless you're implying those were her orders.

[He shrugs, disassembling the gun and stowing it back under the passenger seat.] I break her toys all the time. She's used to it.

[He glances up again, frowning.] Also, you're welcome.

[He frowns. She smirks.] Why should I say thank you when it's what you get paid for?

[He snorts and slides up into the front seat, barely refraining from rolling his eyes.] I consider this overtime. She doesn't pay near well enough to contend with you.

[The traffic of the Circus is positively sedate compared to a few moments ago, though Irene doesn't relax, not yet.]

If that were true, dear, you wouldn't be here right now.

I always forget how utterly grating you are until I'm in your company for more than three seconds. [He taps his fingers on the dash, looking both irritated and amused.] And you have a uncanny ability of walking into trouble you can't handle.

Edited 2013-06-03 23:35 (UTC)