lumeria (
lumeria) wrote in
bakerstreet2018-08-09 01:17 pm
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MACHINES CANNOT LOVE

The Teach Me How to Love Meme
No matter how straightforward it may seem, the human emotion of "love," especially true, unconditional love, is complex and often hard to understand. All that forgiveness, all that dedication, all that light in the dark - how can one person have all that inside of them? You don't understand that, possibly because you're not a human. You're a calculating robot, an alien with a completely different frame of reference, or an artificially created being told only to feel certain ways. If you are a human, however, that doesn't necessarily clue you in to all the secrets of affection. Cold, uncaring assassins, brutal warriors, ruthless womanizers and maneaters, or the just plain broken can often feel like robots among their own kind.
But you want that to change. You have a stirring in your chest for someone and you want to know what love is so you can make them happy. This is the first time you've ever wanted to do so and be so unselfish. Hopefully, they can be a good teacher and help you open up, getting you both closer...
...or you could end up with someone as inexperienced as you. Well, there is something to be said about learning together.
- Comment with your character, preferences, and what side you'll be playing (learning, teaching, whatever you'd like).
- Reply to others.
- Do the thing.
Gaige | Borderlands 2
Celes Chere | Final Fantasy VI
here have a loser who tries his best
uh...
nerve-wracking. Yeah. That seems accurate. Nerve-wracking and weird and - she's going to kill him isn't she? Not that he'll mind being killed by her specifically. He vowed to protect her, and he can't really do that if he's dead, but he likes spending time with her, so this wouldn't be so bad
and he's blushing a bit. Damn it. He's thinking about how she looked in the role of Maria and the glow of her ice magic, and the sparkle of her eyes in sunlight, and this is not teaching her about love.]
So...
[Locke starts and then stops, looking at her and then away and then tentatively at Celes again. His cheeks are pink, but he smiles all the same.]
Love, huh?
[Oh gods his voice just cracked. Can this get any worse?]
prays for these two tbh
In retrospect, Locke likely shouldn't have been her first choice. She could talk to Cyan, but there was that worry that it would be a bit too insensitive. Or she could ask Edgar but... No, she can't ask Edgar, she would never ask Edgar about something like this. She doesn't want to know what his feelings are on the matter. Setzer? Hard no.
But Locke... She never had too much difficulty talking to him about certain things, so that seemed like the safest, most logical bet.
On paper.
So here they sit, Celes feeling like she wants to crawl out of her skin and not entirely sure why. Why is this uncomfortable? Why does she feel like it takes all of her willpower to sit still and actually look at him. It's Locke, this shouldn't be a problem. She can tell him anything. ]
Yes.
[ No. Too terse. He's going to think she's angry at him. ...Well, she is a bit irritated, but at herself and not at him. Celes presses her lips together, trying to pull the words out of the aether. ]
You've... been in love before, right?
[ Why would she—WHY IS SHE SO BAD AT THIS!!
...Also why is he looking at her like that? ]
unsure if prayers can help them
He chokes a little at that question, and it takes him a moment to figure out how to respond.]
I - uh...
[A swallow, and he looks away from her again, rubbing the back of his neck. A blend of images play through his mind - Rachel laughing, teasing, confused, blank, d-- no. No, he's not going there. He takes a breath and lets it out in a sigh.]
... yeah. With Rachel. [And maybe again, but it's confusing, and he's still trying to work that out, and this really isn't helping. And anyway, he still loves her. Rachel. It's just more complicated now. It makes him wonder, though, about Celes' past. He knows the basics - knows that like Terra, she's grown up in the Empire, grown up a soldier, and she's never talked like it's ever even been a real concern of hers (quite the opposite, really), but he wonders...
He forces himself to look up at her again.] ... have you?
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It feels heavy—for him and, strangely, for her as well. She nods only to fill the space, even if she might not know what to say. The wound is still raw. It will likely always be raw. She should apologize, and as her gaze falls to the side, she takes a breath.
But he's the one who breaks the heavy silence, forcing Celes to look up suddenly in bewilderment. ]
No!
[ The word practically tumbles from her lips before she can catch it, blurted out before she's even fully processed what he's asking.
So she pauses, brow furrowing deeper as her gaze shifts downward. Of course she hasn't. Someone like her... She doesn't need something like that. Countless stories of lovesick women robbed of logic and reason when it comes to the target of their affection.
But... ]
...That isn't important. Anyway, this isn't about me.
[ No. It's nothing. She hesitates before looking up at him once more. ]
How did you know that you loved her? What did it feel like?
but are you really? >_>
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i enjoy that they both think about her killing him for this
I mean... /hand gestures
fair
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r. dorothy wayneright | the big-o
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It starts, as is sometimes the case, not in a bar or an alleyway, but at a farmer's market. In a city and a place about which Vrenille knows exactly nothing (except that it seems sorta...gray), where he doesn't even seem to speak the same language as half the people, and where all the money in his coin pouch buys him precisely nothing but strange looks. That's where it starts.
It starts with a glance, with what he's sure must be a chance meeting of eyes from a man who's too guarded, a little scruffy, a little too rough. He's got an edge like a razor, Vrenille thinks, though the jacket and the cap and the way he seems to crunch into them almost manage to disguise it. He feels it from the moment he lays eyes on him: it's like a knife cut in the world, all risk and threat and danger on one side...and on the other? On the other, some kind of ghost maybe, a bond to a past that that razor line couldn't quite manage to slice away. He sees it flash in his eyes as he talks to a fruit vendor--like he wants to be with the world but he doesn't quite know how to be.
He's exactly the wrong kind of man, and Vrenille knows it. He knows it, and yet he goes ahead anyway. Maybe he's just feeling self-destructive, given the totally shit day he's having. Or maybe there's a draw that's way more ineffable.
His heart's in his throat when he speaks to him, and that...well, it never happens. He's a master at keeping "professional" distance. He dissimulates--it's a job skill. But then he usually doesn't go playing with fire this way. He usually doesn't feel quite so nakedly exposed. He's usually not in some strange foreign world, either.
He's not even sure that they'll speak the same language at first, so when he discovers that they do it's too unexpected. It's crazy that he just asks him: "Take me somewhere?" It's too plaintive, a request and an offer all at once, there's not even any artistry in it. And he's pretty sure they both find it crazy when the man actually does. Vrenille isn't sure that either of them know what in the hell for.
Mostly what he knows is that now he's standing here in this slightly scruffy room with this slightly scruffy man. He's knows that he's dressed in a way that can't quite pass for local. He knows he doesn't know where he is, and he doesn't have any money that's worth a damn. He knows he doesn't have anyplace he can go, and it's probably going to be cold tonight, and he doesn't know a single damn person, probably in this whole world. He knows that the air feels tight, like there's some kind of energy--a current, a live-wire--and he's not even certain whether the man he's with might try to kill him.
He's usually so smooth with words, so good with people, but the strangeness of the whole situation leaves him completely disarmed; he's not even sure what he should say. He wonders if maybe the jump between worlds has made him lose something of his mind. He fishes around and in the absence of anything better, he settles on the most simply honest opening: "This is a little unusual for me."
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But this man? Bucky isn't sure why he let's him approach--and make no mistake: he allowed that. He seems foreign in a way that has Bucky thinking about secret documents and other universes. But at the same time he speaks English and appears to understand the basis of interactions. So it's a puzzle. But not one Bucky is all that interested in solving.
That isn't why he brings him back. He barely says anything about it, but the gesture isn't a new one for him. He sometimes would do this. Occasionally for a companion, more often to protect someone from something.
Making amends for a life that has no hope of redemption.
This falls into the latter camp, he feels. The man looks lost and profoundly alone. Bucky sympathizes. And his apartment might not be anything special, but it was secure. Bucky moves to the bed and grabs a blanket and pillow off of it, laying them both on the floor for him to sleep on, then goes to see if there's anything for him to cook.
"Not unusual for me," he says as he pulls out some vegetables and begins to make a thin soup. "I can let you stay a day. Maybe two or three but that's it. You can have the mattress. Don't touch any of my stuff. Especially the weapons. Got it?"
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Proginoskes | A Wind in the Door
That having been said, the idea of romantic love the way humans think of it is pretty foreign, so if anyone's interested in going that route, I'm game.]
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K | Blade Runner 2049 | OTA
Sheldon Oberon || Jumanji || M/M
Dr. Angela ' Mercy' Ziegler | Overwatch | OTA
Selene | Starfighter: Eclipse | M/M
Declan Lynch | The Raven Cycle
Tyl Regor | Warframe
kara | detroit become human
RK800 Connor | Detroit: Become Human
Maria Hill :: MCU :: F/M
She was six the first time she heard those words from her father, and things only went downhill from there. Hill had gone to nine different ERs by the time she was eight for everything from broken arms, busted lips, black eyes, and so on. She'd learned early on that survival was more important than being loved.
Even now, even today, love is something of a foreign concept to her. And having someone in her personal space still brings out her fight-or-flight response. Her first instinct is to almost always lash out, hurt them before they can hurt her. Or at the very least keep them at arms' length.
And relationships? Get real. There's no script, no standard operating procedure, no policy on how to navigate dealing with someone on a personal level. For years, Hill relied on her Level 9 security clearance as a crutch to avoid having any kind of close interpersonal relationship. Essentially, she was above damn near everyone's pay grade at SHIELD. And she couldn't get involved with a civilian just in case they weren't actually a civilian. Having every single command decision called into question because of her love life wasn't something Hill was willing to risk. Besides, there were enough rumors and innuendos about who she'd slept with to get kicked up SHIELD's chain of command, and she didn't want to add any more fuel to that fire.
Except SHIELD and all of its excuses are gone now. There's nothing keeping her from having something resembling a love life. Nothing except her own hang-ups and disbelief that someone might actually want to spend time with her despite the odds of getting throat punched.
[Cast/canon-mates preferred.]
Jyn Erso | Rogue One | OTA
HK400 | Detroit: Become Human