you'll like the way we meme (
memeswearhouse) wrote in
bakerstreet2012-06-22 11:06 pm
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REVENGE OF HURT/COMFORT


Hurt/Comfort - Hurt/comfort is a fan fiction genre that involves the physical pain or emotional distress of one character, who is cared for by another character. The injury, sickness or other kind of hurt allows an exploration of the characters and their relationship.
- Post with Character Name | Series in the subject.
- Others respond.
- Roll 1-10 at RNG for a scene, play it out and have fun!
1. INJURY. You've been injured. Broken bones or bleeding out or maybe just a tiny little papercut. The choice is yours.
2. SICKNESS. You're sick and laid up in bed, at home or in a hospital. The severity is up to you.
3. FEAR/ANXIETY. Something is happening and you're scared beyond belief.
4. LOSS OF SENSES. Sight, touch, taste, hearing, smell, etc. You've lost some important sense or ability and now you're left to deal with it.
5. DESPAIR. Nothing is good or right anymore and you can't shake the depression. Maybe that friend of yours can help though...
6. BREAKUP. You've been dumped. You need someone to comfort you, possibly by the one who dumped you.
7. MAKE UP. Fight or break up, it's time to makeup.
8. RESCUED. You've just been held captive and/or tortured for however long and finally, someone has come to the rescue.
9. BAD ROMANCE. Fight, cheated on, abused, whatever the case is, someone else can clearly see you need comfort from someone who isn't your terrible lover tonight.
10. LOSS. You've experience a loss of some kind and need help getting through it.
11. INSANITY. You're seeing things that aren't really there, hearing voices, or you're just convinced you're at your wit's end finally and you're going to crack. Maybe someone can give you a helping hand.
12. TIRED. You've had a heard life recently and you're just worn too thin to really care anymore. There's no fight left in you anymore. Can someone help change your mind?
13. ADDICTION. Drugs, alcohol, sex, gambling, or any other type of addiction has got you in its grasp. First time or relapse. Will someone be able to save you?
14. INSOMNIA. You can't sleep anymore, no matter how hard you try. Maybe someone can give you company.
15. NIGHTMARES. Or, on the other end of the spectrum, you can't sleep without gruesome, horrible nightmares. Either someone is stuck in your dream with you, witnessing it or they're just waking you up, soothing you out of it.
16. BLACKMAIL. You've been caught doing something you shouldn't and you were blackmailed because of it
17. SEPARATION. You're going to be separated for awhile or were separated for a long time. Either make up for lost time or try to spend every last moment together.
18. VIOLATED. You've been violated in some way. Can include sexual overtones or not. Can someone help you through it?
19. STRANDED. You've been stranded somewhere remote, with no help of anyone finding you for awhile. Can you survive this together?
20. SINS. You're feeling the weight of your sins and guilt clearer than ever. Can someone give you absolution or lessen the ache any?
21. SECRET. It's difficult having to keep that secret of yours, be it a relationship or something you just don't want to share with anybody else. Maybe it's okay to talk about it now though...
22. ADDITION. Babies should be joyous things unless you're in a situation where you know you won't be able to care for them. Either you've adopted or found out you're pregnant.
Mireille Duroc | Silver Wolf (modern AU)
Gots me a 3
Unfortunately, panicing about not having a panic attack was kind of counterproductive.
3 it is.
Somewhere on her left, she hears Ren's breath change, however. Quicken. Coming to a halt, she tries to determine her exact location.
"If you'd speak to me, you'll make it easier. For the both of us."
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"Here" she says, though her voice is trembling. "I'm here. It's... Why did it get so dark?"
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Simple as the conversation may be, it's enough to set the course. The cabinets on her right, now. Blindly, she feels for the candles. Finds two, then three. Matches next. And she stops in the immediate vicinity of Ren's voice.
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She reached out, blindly, aiming for the spot of darker shadows, and felt her fingers graze across the fabric of Mireille's skirt. "Candles?" she asked, hating how desperate she sounded. "Or flashlights?"
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"We'll have to content ourselves with candles."
A candle holder on the middle of the table. She makes the arrangements. Lights the first candle out of three.
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Ren manages, barely to not huddle over the first lit candle, though she does edge closer to it, putting herself firmly in the meager sphere of light it provides. The flame is small, but it does cast a heat on her face causing tears she'd not realized she'd shed to evaporate. It makes her skin tingle, two suddenly dry lines down her face.
"I don't like darkness," she says quietly, as the other two candles are lit. It's probably an obvious statement, but she feels the need to justify.
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It isn't clear whether she's referring to the darkness itself or the fear thereof. Neither does she attempt to clarify, instead leaning in to light the remaining two candles, placing them in separate holders - the area lit widening a few inches more. Enough that the room is darkness in part - shadows, not full. Pulling out a chair, Mireille sits down. Lets Ren decide what move to make next.
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She pulls a chair over, shifting it so she's as close to the light as possible, while still keeping her back against the wall. Logically, she knows her fears are probably unfounded. But logic has a far less hold on her than it use to. And emotion more of one. "You will stay?" she asks "Until the power comes back?"
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"That which we can't see, we can't control either."
An answer to both questions. She has no say in when the power will return, but she has full control over her approach to the wait.
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She passes her fingers through the closest candle flame, quick enough not to burn, but she can still feel the warmth. Warmth is good.
"You can read if you want" she says, looking up.
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She takes the book. Recognises it, even before the title can be read in the light of the candles. Fleurs du Mal. It becomes a matter of random pages, when she opens it.
"Very Far From Here."
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We're rolling a 4 and turning it around --
Waiting for her reaction.]
Three times turn around --
For now, she's put her book aside. On the windowsill, while she takes in the view of the valley. There's no reflection in the window glass and Armani Code doesn't register with her, not before he's drawn her close. Turning her head, she raises her hands. Speaks by the most reliable means she has left.]
You know.
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And?
[Because while she can't hear, she can see. And she hasn't lost the simple phrases, not even like this. To balance her out, he's adopted her last language - for use only when they can't get by in any other fashion.]
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I suggest you wear a stronger cologne, henceforth.
[Her movements, in contrast, diminish in intensity.]
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I can borrow some Old Spice from Potos?
[His movements are still a bit shaky. He signs faster than he should, the words crowding together from time to time. But of course, languages have never been his forte.]
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[The name is pronounced, her lips closing around the two syllables with complete consciousness, yet without the precision of hearing. Jean Louis' name is the only one she hasn't forgotten the exact sound of, after all. Everything else fades, if slowly. Nevertheless, his signs are sloppy - her pronunciation is allowed to follow his example.]
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[Signed with sharp movements, with more than a touch of exasperation. While Jean Louis isn't a master at the art of signing, he's quite expressive by nature - so this one almost speaks for itself.]
That smell was all over the meeting room today. Along with his smugness.
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That in Luxembourg, everyone may insist on their right to learn proper communication. Freely.
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They may insist. And we should decline when necessary.
[Slow, precise movements. Drawing a line in the sand, too - his patience isn't endless tonight.]
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[Most likely, he won't catch the last half of her sentence. She's too busy turning away, turn back to her point of origin. With her back to him and hands resting on the windowsill - clenched. After use.
She doesn't bemoan it, but neither did she wish for her reality to be moulded into what it is, currently.]
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Mireille.
[He says. She can read his lips in the glass reflection. It doesn't mean anything to him, this quiet. And she can't doubt that, even if she doubts his reasoning on a daily basis.]
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[She says it. The word that is both a question and a confirmation. She can imagine how her voice sounds, but she can't be certain. Not anymore. It's unimportant, of course. Not like his arms, drawing her near. His smell and the warmth of his body. The way his lips move close to her cheek.
In the beginning, she was afraid that he'd leave. Expected it, perhaps. Jean Louis doesn't content himself with anything lesser than what he wants. And even if she is carrying herself, her own weight... She isn't identical to whom she used to be. Understandably.]
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