shercocks (
shercocks) wrote in
bakerstreet2012-01-24 08:03 pm
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a night at the opera
![]() welcome to the opera ♫ post with your character! ♫ someone else will roll 1-7 and comment to you ♫ get nasty in the operahouse. okok 01.) sex in the box: you're sharing a box with someone you know (or maybe someone you don't!) and you're suddenly overcome with unrestrained desire. those high notes are really hitting your loins hard and you just can't keep your hands off your boxmate. you both can be into it or it can be one sided with much, sexy convincing. 02.) you're the star: the person you comment to is the on-stage love of your life. they don't know you, but you've seen every performance they've ever done. and you want to just show them in the most fanatical of ways of your devotion. 03.) life's a ball: it's a masked ball and the only rule is you can't take your masks off. but you see a fine specimen through your eyeholes and need to make them yours tonight. find a secluded area down a darkened hallway, in the powder room or even on the balconies outside to carry out your dirty misdeeds. 04.) take the high road: you're a low class citizen that got suddenly lucky. the stars aligned properly and you procured not only a ticket to the most talked about opera in decades but a fancy outfit to match. the character you comment is the high class gentleman/lady of your dreams. you two hit it off and find yourselves alone somewhere in the opera house. you try to hide your background, but they know and don't care. it's more fun to pretend. 05.) arrangement: you didn't want to do this. your parents arranged for you to meet a prospective husband/wife at the opera tonight. you must do this to upkeep tradition. what you didn't expect was someone so utterly charming. and they're charming your pants right off. 06.) lights, camera, action: you're costars in the hot ticket for the night. a quickie before curtains rise? sure. riding the excitement of the finished production? awesome. whatever it is, there's not supposed to be fraternizing between the costars. but you two are much too taken with each other to care! 07.) wild card: rollers choice! pick something or make up your own scenerio! just make it sexy X( |
Sherlock Holmes | Sherlock
2-ish? roles flipped
Flashfoward to present day. After her 'death' in Karachi, she traveled for a time. Out of a healthy sense of paranoia at first, though she did occasionally manage to visit places of interest. It quickly grew tiresome. When she eventually began to feel safe, the tedium of living under the radar led her to work on crafting a stable new identity. She wanted a public face again. When a well-known traveling opera company advertised an opening, she laughed at the irony to herself and auditioned under her new name.
That is how she came to be onstage tonight, singing the part of Klytemnestra in Elektra. It was perhaps foolish to return to London, but she couldn't resist.]
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Just like the Woman is, now. The audience is enraptured by her, and he watches their reactions as often as he watches her sing. She's amazing, of course, but the way she draws them in, seduces them, is utterly enthralling. He stays silent throughout her performance, not bothering to applaud during the appropriate places. She has more than enough fans in the audience. He'll only stare at her, memorizing what she does, watching her rebuild herself. He wanted her safe, he didn't want her to disappear. This is for the best.]
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After the show, she lingers in her dressing room. All the praise was gratifying; Elektra is a challenging opera and she had worked very hard after so many years out of practice. Still, she had known she would captivate. What she didn't anticipate was how strange it would feel to stand before hundreds in this new persona.
All those months in hiding she was biding her time, the endless rehearsals with the opera merely training. But now Irene Adler was well and truly dead. She could use her position as an up-and-coming starlet to gain influence, but it was highly unlikely she could ever return to who she was. Raena Galfri would swallow her.
She dresses in a gown that is overly gaudy by her own standards and prepares to make an appearance at the post-performance gala.]
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He waits at the post-performance gala for her. He won't approach her, he tells himself. He'll just see her, then he'll leave. He said the same thing about coming to this performance. First, he'd just see where she was performing. Then, he'd just see how she did at an opera (spectacularly, unsuprisingly), and now---
Now, he finds himself at the door to her dressing room. It isn't difficult to find it, and even less difficult to enter when no one is looking.
He hates the bow tie to his tuxedo. John would tell him he looked like something out of a James Bond movie. John. No, seeing the Woman is too much.]
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As if nothing had passed since they last spoke,] Did you enjoy the performance?
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It's not one of my favorite operas.
[Translation: Yes.
He gives her a half-smile, and nods at the dress. It's different than he'd imagine Irene Adler would wear, but she's not Irene Adler anymore. He understands the need for a disguise. How deep did the disguise go for her, though? Not important, he reminds himself.]
Hiding in the public eye is a dangerous plan.
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She sits on one of the dressing stools, sweeping the hem of her dress back so it doesn't tangle round her legs. Her movements are as elegant as ever, though there is a certain flair to them now, an element of the diva.]
That's exactly what makes it appealing. The quiet life doesn't work for me.
[Maybe this is touching the stove once you've already been burned, but she misses it too much. Power. Influence. Control. If she learned anything from her months on the run it's that she doesn't know how to live otherwise.]
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[he begins to pace her room, hands behind his back as he looks around her little room. Oh, there are a lot of new things about this room, just as there are new things about the Woman herself, but there are little pieces of her throughout every disguise. He gives a little half-smile at the reminders that she is still her.]
Being dead in Dublin was the most interesting by far, I think.
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And what does a dead man do in Dublin? [That sounds almost like a riddle and she smiles at the thought.]
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Or, as it is, not hiding.
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Though...that's not quite true, is it? A disguise is a self-portrait and, as good as she is with disguises, there are parts of herself she will never be rid of.
So instead of correcting him,] I won't ask which was more fun.
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[and with that, he'll undo his bowtie, which has been bothering him.]
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[She's only half-serious, though it is quite the dashing get-up. She just likes applying the word 'sexy' to Sherlock Holmes.]
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My brother makes a better ginger than I do.
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A shame I can't deter everyone so easily.
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[But then there's some seriousness] Others have been by?
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They're sharper than most. And they can't be thrilled with me.
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I'm taking down his web. One strand at a time.